Bishop's Palace House - Kingston Riverside
Bishop’s Palace House was formerly a drab 1970s brown brick car park and shopping centre in Kingston upon Thames’ Old Town Conservation Area on the bank of the river, next to the town’s Grade II-listed bridge.
Floating Cinema
Building on the resounding success of UP Projects’ pilot Floating Cinema 2011 project, Morris + Company won the Open Architecture Competition to design the next phase of the acclaimed venture, conceived to offer a permanent lifespan on the water.
Horniman Museum and Gardens
The project formed part of the Horniman’s wider ambition to create a better link between the museum and its gardens. The aim of the proposed new community and education building was to create an inspirational learning environment, bringing the learning experience to the outside and therefore maximising the full potential of the existing garden site.
Regent’s Park Open Air Theatre
Regent’s Park Open Air Theatre in north London is the only permanent outdoor theatre in the UK. During summer it opens its doors to an audience of 1,240 every evening.
Jerwood Gallery (Hastings Contemporary)
Award-winning new-build for the Jerwood Foundation
A new gallery and restaurant, built in a challenging site on the seafront in Hastings. It incorporates an innovative ground-source heating and cooling system, enabling the building to achieve impressively low emissions for a structure of its kind.
Jerwood Gallery, located in Hastings, East Sussex, is dedicated to contemporary British art and operated by the Jerwood Foundation, a privately funded charity. The new build gallery is part of a wider masterplan to transform a former coach and lorry park on a key seafront site in Hastings Old Town.
Sustainability was central to the design, influencing orientation, layout, materials, and servicing. The galleries maximise natural daylight and ventilation, creating a pleasant and well-lit environment for visitors whilst minimising energy consumption.
Below-ground ducts ensure a seamless design, maintaining floor-to-ceiling levels and concealing services. Solar panels provide most hot water, and rainwater is recycled to further lessen the environmental impact. A comprehensive analysis of renewable energy options, which included evaluating life cycle costs and ongoing maintenance was also undertaken.
To meet stringent temperature and humidity control standards, Skelly & Couch developed an innovative approach to preserve artifacts. The collection galleries utilise air conditioning powered by ground source cooling, with eleven 120-meter-deep probes handling all cooling and 60% of the heating, integrating geothermal energy for effective temperature regulation. This approach resulted in 60% less CO2 emissions compared to an average museum of similar size.
The Jerwood Gallery sets a new benchmark for environmental performance in museum design. It combines energy efficiency with precise climate control, while creating a welcoming space that enhances the overall visitor experience. The project achieved an ‘Exemplar’ rating at design stage using an industry standard Sustainability rating tool.
Chichester Festival Theatre
The iconic, Grade II* Listed Chichester Festival Theatre was designed by Powell and Moya and opened in 1962. Based on Tyronne Guthrie’s Festival Theatre in Stratford, Ontario, it boasted the first modern ‘thrust’ stage auditorium in the country. Over the past fifty years it has been a hugely successful and influential centre for the performing arts and has been extended on a number of occasions to address changing demands, leading to a dilution of the original design.
Yaa Asantewaa Arts / Carnival Village
The Yaa Centre has provided a new home for the Carnival Village Trust, as well as the Association of British Calypsonians, Ebony Steel Band Trust and Yaa Asantewaa Arts. It includes a flexible exhibition /performance space, education and training workshops, a 60-seat presentation theatre, two dedicated rehearsal spaces for the development of steel pan music, a dance studio, business advisory services and a radio station.
Caryl Churchill Theatre at Royal Holloway, University of London
The £2.5 million theatre in north London, named after playwright Caryl Churchill, was built beside Grade II-listed Sutherland House as an extension to the University’s drama department. The theatre seats audience of 175 people on two levels, with a third level for technical operation, and features a welcoming foyer, separate rehearsal and teaching spaces, dressing rooms and workshop areas.
Command of the Oceans at the Historic Dockyard Chatham
New Build and Refurbishment in a Heritage Context
4.5-hectare heritage public realm and new Discovery Centre for the Grade I-listed Chatham Dockyard. The project achieved major environmental improvements by eliminating heating in large areas and upgrading thermal insulation and building services systems. 2017 RIBA Stirling Prize finalist.
This multi-award-winning project at The Historic Dockyard Chatham preserved key Scheduled Ancient Monuments and the 18th-century HMS Namur timbers. It introduced world-class galleries, interpretation spaces, visitor facilities, a 4.5-hectare heritage public realm, and a Discovery Centre to highlight the dockyard's significance during the age of sail.
This multi-award-winning project at The Historic Dockyard Chatham preserved key Scheduled Ancient Monuments and the 18th-century HMS Namur timbers. It introduced world-class galleries, interpretation spaces, visitor facilities, a 4.5-hectare heritage public realm, and a Discovery Centre to highlight the dockyard's significance during the age of sail.Skelly & Couch provided full mechanical, electrical, public health, and environmental design for the project. Significant energy savings—both carbon and financial—were achieved, crucial to the long-term sustainability of Chatham Historic Dockyard Trust’s strategy. These were realised through enhanced thermal insulation and upgraded building services.
From the outset, the design prioritised environmental conditions to preserve the ship's timbers. The specialist advised maintaining them in their existing condition (as floor joists beneath the floor) without heating or ventilation. To address the thermal and latent loads from visitors, Skelly & Couch developed a natural ventilation strategy.
Undercutting the old timber north and south doors by 50mm allowed cross-ventilation and ensured adequate fresh air. Provisions were made for a future fan installation in the store beneath the link bridge adjacent to the undercroft, to accommodate potential temperature and moisture fluctuations. While the bays above and adjacent to the Namur undercroft are heated, many bays in the mast house and mould loft remain unheated.
Another challenge was concealing containment routes while ensuring future service access would not damage the timbers. For instance, positioning smoke detectors required planning to place supports without disrupting the exhibit.To minimise waste, a proportion of existing cast iron radiators and coolie light fittings were refurbished and reused wherever possible.
The project successfully combined heritage preservation with sustainability, achieving both carbon and financial benefits while safeguarding its historical significance.
Awards
2016 – Civic Trust Conservation Award Regional Finalist.
2016 – Offsite Construction Awards Finalist.
2017 – RIBA Stirling Prize Shortlisted.
2017 – RIBA National Award Winner.
2017 – RIBA South East Regional Award Winner.
2017 – RIBA South East Conservation Award Winner.
2017 – RIBA South East Building of the Year Winner.
2017 – Kent Design & Development Award Winner.
2017 – AABC Conservation Civic Trust Awards Finalist.
2018 – Civic Trust Award Winner.
2018 – RICS South East Best Tourism and Leisure Award Winner.
2018 – RICS Best Project Winner.
Watch a 360 degree interactive video of Command of the Oceans.
Dorset Museum & Art Gallery
New spaces for four million objects.
Refurbishment and extension of the grade II-listed building in Dorchester's urban conservation area to create a ‘Collections Discovery Centre'. Basement archives rely on innovative passive climate control, while gallery spaces and workrooms use HVAC systems for controlled conditions.
The development created new facilities for display, education, research, and storage at the Museum, expanding opportunities for audiences to explore collections and stories while improving access, research potential, and public engagement. It also supports the local economy, tourism, and museum collecting capacity across Dorset.
The Museum holds around 4 million objects spanning Natural History, Geology, Archaeology, Social History, Costumes and Textiles, Photography, Literature, Fine Art, and Decorative Arts. Among its significant collections are the renowned UNESCO Jurassic Coast geology collection and a Thomas Hardy Archive listed on the UNESCO Memory of the World register. The Museum also features an extensive library, archive, and a dynamic temporary exhibitions programme in collaboration with national and regional partners.
The basement archives employ passive measures to maintain optimal preservation conditions. A highly insulated fabric minimises heat transfer, while high thermal mass materials stabilise temperature fluctuations. Hygroscopic materials regulate humidity, reducing reliance on mechanical systems. Where possible, natural ventilation enhances airflow, further optimising energy efficiency.
Gallery spaces and workrooms benefit from stable temperature and humidity through tailored HVAC systems, with full air conditioning in areas requiring even greater climate control.
Skelly & Couch collaborated with the Museum from the outset to develop an environmental control strategy balancing artefact preservation and operational efficiency. Their approach integrates recent research supporting stable conditions with minimal seasonal variation, mitigating extreme fluctuations to optimise conservation and climate control.
The development enhances public access to the Museum’s collections, deepens research opportunities, and supports the community, and enriches its the cultural and educational experience.
Photographs courtesy of Dorset Museum & Art Gallery ©